Single Review - How Long Have You Known - Kezia Gill and Jade Helliwell

 

As a fan of the UK Country music scene, you will surely have come across Kezia Gill and Jade Helliwell – be it on their own headline tours, their joint “Girls Night In” tour or perhaps at one of the various festivals around the UK.  Both have their own loyal followings, built in part during lockdown with livestreams – which spawned the “Friday Night Club” for Kezia.  Lockdown (can we talk about that as just history now?) also led to remote songwriting sessions for many – and especially for two best friends.

The outcome of one of these sessions – and only the second time of collaborating this way for Kezia – was the song How Long Have You Known.  Now three years on from its creation and after performing it together live on many occasions the pair have now recorded it for release on Friday 31 May.

Written about the shock of finding out your partner is leaving, the song and the performance are emotion laden, reflecting that bolt from the blue feeling

Didn’t see it coming, didn’t think you’d break my heart

Accompanying the two powerful vocal performances is a beautiful string arrangement which blends perfectly and highlights the soulful delivery and feel of the song.

As well as being able to now download or stream the song, you’ll have the chance to hear both of these artists live later this year, as Jade takes to the road in October for her How Love Goes acoustic tour while Kezia will be touring in October and November with her The Story So Far tour.  Tickets for both are available now and selling fast!

 

 

How Long Have You Known, 

the new song from Kezia Gill and Jade Helliwell is available on all platforms from Friday 31 May

 

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Gig Review - Nashville Sounds In The Round - Birmingham Symphony Hall May 2024

 

You guys have Ed Sheeran, why would you want to listen to me?

 

Despite flying in from America, playing guitar for Keith Urban, and being booked for a couple of festivals, Maggie Baugh retained that humble feeling that people in the UK wouldn’t know her music, having had a specific request in the interval.  John Wesley Satterfield quickly reminded her that “The internet is everywhere”

This kind of interaction is why we love songwriters rounds, and especially the regular Nashville Sounds InThe Round in Birmingham.  The latest show was a curtain raiser for Buckle and Boots this weekend, as it featured three American artists who will be playing at the Farm, alongside regular hosts Gasoline and Matches.

Joining Maggie on her first visit to the UK were Jeremy McComb, who is becoming a regular face over here, and John Wesley Satterfield, another UK debutante.  Maggie and John had also played Country InThe Afternoon at the weekend, while Jeremy – who will be co hosting the main stage at Buckle and Boots – has been on tour with Cody Pennington, opening with Gary Quinn.

A songwriters round is, by its very nature, an intimate style of show.  The artists tell us stories – about their songwriting inspiration, about their careers and often about their own lives.  As the show progresses the audience get to know the performers better, and as the artists get to know the audience better they start to loosen up more.  As this trio haven’t met each other very much before, you could see them get to know each other, and with Jeremy and John this led to more and more interaction and jokes, with them seeming like long lost twins by the end!  We were treated to more sensitive songs and stories than you might get on a full stage show, and also some hilarious conversations from the American contingent trying to navigate not only our currency “Your coins have an old lady on them” but also what we call our toilets.

All three guests were very entertaining as well as very talented  - and those seeing them again at the weekend are in for a real treat.

 

As for our hosts Sally and Steve, they also shared a very special story with us all.  They’ve got married!

 

Congratulations to Sally and Steve, and to the Americans – see you at Buckle and Boots!

Silverball Country attended Nashville Sounds in the Round as guests of Gasoline and Matches and B:Music

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Gig Review - Country In The Afternoon May 2024 - Half Moon Putney

 

The Half Moon pub in Putney, South West London is no stranger to great line ups, over the years it has played host to some of the absolute greats, and twice a year for the past few years has been home to Country In The Afternoon, brought to us by those fine folks at Cumbrae Promotions – Gavin and Christine Chittick.  Even if you haven’t heard of Country In The Afternoon, if you’re a country music lover you may have attended on of their other events - notably Millport Country Festival, or perhaps you’ve caught one of their ad hoc intimate evenings both in London and in Scotland.  If you’re a Buckle and Boots attendee, you’ll have seen Gavin running the Paddock Stage along with Silverball Country and Christine looking after the all-important beer tokens!

You have to wonder if these two ever stop.  We think the answer is no.  There's two more new events in the calendar this year alone, plus the next Country In The Afternoon.  They do take time for holidays – but those are as much for talent spotting as for relaxing!

Country In The Afternoon is two days of music in an iconic venue running from 12:30 until 5 – which gives time for drinks between the 4 acts (as they turnaround the stage) on each day plus a chance for a meal in the pub garden afterwards, especially when the weather is as good as it was this past weekend.

We joined the Chitticks on Sunday, which had an international line up – two American acts, two British acts – and an Austrian!

 

First up, from Nashville was John Wesley Satterfield.  John has a very traditional country sound to his voice, and a traditional style to his songwriting, with songs about his guitar, whiskey – great subjects!  Whilst he would never sell his battered old guitar, he did offer his beagle dog for sale!  Accompanied on stage for a couple of songs by Jon Stone (American Young) the storytelling was as good as the songwriting, with some numbers inappropriately dedicated to Grandma!  John didn’t use a set list preferring to go with the flow – and the same was true for the second act – Georgia born Ian Flanigan. Having appeared on The Voice - USA as part of Blake’s team, Ian is now known simply as “The Voice” and what a voice he has!  Despite being from the US, his stories resonated and were easy to follow.  We were treated to another guest appearance from Jon Stone who has written and produced the new material that Ian treated us to.  Notable was “The song with the longest title” – the very relatable Words I Never Heard An Old Man Say.

 

Both John and Ian were visiting the UK for the first time, whereas the next band to take to the stage were far more familiar having played the event before and also just finished a UK Tour.  Lewis and Izzy (from Austria!) better known as Two Ways Home.  As well as their trademark light teasing of each, other Two Ways Home delivered a loud and rocking set backed by Michael Clancy on guitar and Jake Stanton on drums.  Even Gavin Chittick was moved to declare that it was possibly the best they have ever sounded – and we have to agree!  The band are very hardworking and seem to constantly look at ways of improving their show – this time including some more intimate songs around their bespoke, old style microphone – in fact there are only three of these microphones around, and notably, Bob Harris has one of the only other two!

 

The afternoon was rounded off with a storming set from First Time Flyers, who are making waves across a number of stages and festivals.  First Time Flyers gave us our second full band set of the day, and brought with them an enthusiastic and dedicated following showing that whatever the size of the event, independent gigs can build and hold an audience!

 

Time to rest?  Nope.  Next up from Cumbrae Promotions is the Signature Brew Americana Showcase, London E17 on 22 June and Milltown Music Festival in Paisley nr Glasgow on 31 August

Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions

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EP Review - To Be Continued - Emily Lockett

 

With Buckle and Boots only a week or so away, we’ve been sent an exclusive preview of an EP that will be released at the festival.  Although this year will be the first time that Staffordshire based artist Emily Lockett will be performing, its certainly not her first rodeo, having performed at the first ever British Country Music Festival in Blackpool as well as other big events around the country, and recently opened two dates for Buckle and Boots  favourite Jade Helliwell.

Although she is perfectly comfortable being alone on stage with just a guitar, Emily has put together a new, all female, band this year, and on the new EP you can hear how the fuller sound really adds to her performance.

Initially a CD only release, with a possibility of digital release in the future, To Be Continued contains 4 tracks, some of which you may have heard Emily play at live gigs.  The storytelling in the songs often deals with themes of love and heartbreak, but very much from a modern – might one say “gen Z”? – perspective, with pop culture references scattered throughout.

Opening with Blow Your Mind, Emily’s distinctive vocal is backed with a guitar and drum line that gives the EP a rocking start, excellent instrumental breaks and backing vocals make this a song that is going to sound great on stage!  Rush Hour Crush was inspired by the feature of the same name in the free newspaper you can pick up on trains and buses. It’s the story of seeing someone, fleetingly, on a train journey.  It’s probably the time to make the Taylor Swift comparison at this point – Emily’s personal sound does put you in mind of Taylor, as does the modern take on love songs.  There is no question of impersonation, just a pop country similarity!  As the vocal and instrumentation rise, you can hear the imploring, wanting the object of the crush to notice you – although you aren’t going to do anything more than wish!

Your New Blonde jumps straight in – straight in with the vocal, straight in with the emotion “I hope she hurts you”.  Its another real story, the aftermath of an ugly break up.  Wishing your ex goes through what they put you through is an emotion as old as time, brought up to date with the idea of watching it from afar over social media.  Describing the new girlfriend as “your new blonde” helps with the mix of emotion and reluctant hate, and the delivery feels like the hate is expressed through tears.  Final track Back Of The Church really displays Emily’s gift for descriptive songwriting.  Even those four words conjures up the image of a wedding with the storyteller creeping in late to avoid being seen, sitting at the back away from all the other guests – the wedding she doesn’t want to be at, but just couldn’t keep away from.

Although still relatively young, Emily writes songs with an apparent lifetime of experience behind them. This new ep is stories of unrequited love but delivered in a positive way with plenty of energy. Modern, pop country but very relatable to most listeners.  An accomplished guitar and keyboard player, now backed by her new band Emily has plenty more to show us, and her future is very much To Be Continued.

 

To Be Continued, the new ep from Emily Lockett will initially be released only on CD and will be available after her Buckle and Boots performance.

If you are at the festival, mark 6:30 on the Paddock Stage in your planner to see Emily Lockett and her band playing live.

 

Find Emily on Facebook and Instagram, her website and follow her on Spotify

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Single Review - Daddy's Girl (Live) - Emilia Quinn

A few short years ago, the Paddock stage at Buckle and Boots played host to a girl and her guitar – she was just about to release an ep, and we even recorded a promo clip with her.  The next time she was at Buckle and Boots she was back on that stage, playing an absolute storming set with her full band.  From there she went to the main stage, and this year she will be headlining the main stage!

We are talking, of course, of Emilia Quinn, whose journey from mid-afternoon slot to headliner we have felt part of, and seeing her on her headline tour was of course very exciting!

Emilia not only understands how to entertain a crowd, she also understands value – that headline tour having now produced a second live single, both recorded at her Birmingham date (we were at that one! Review )

Her new single – Daddy’s Girl – originally appeared on her Wanderlust and Breaking Rules Album and in fact supplies the name in its first words!  Recorded through the sound desk at the venue it is a “clean” recording (no crowd noise etc until the end of the track) but it captures Emilia’s performance vocal and energy that comes from being on stage in front of a live audience.  The song will be familiar to many – opening with a strong guitar line (with a wonderful mix of electric and Emilia’s acoustic) the instrumental has a very “western” feel to it, and the vocal is very much that of a story teller.

Emilia describes it in a way that is almost a description of herself…

A feisty, sassy, and take-no-prisoners kind of song, layered in metaphors which is one of my favourite ways to write. It is a story of standing up to the patriarchy that seems never too far away in life and particularly in the music industry. Read between the lines for a whole new perspective to this song...

These live recordings (along with the previously released Head Rush) are a great way to hear Emilia, although the best way to to see her live!  With a list of festival appearance this summer, you have plenty of opportunity!  Check Emilia’s socials and website for more details of where you can see her play.

Emilia is also on her own "Barefaced" tour again later this year

Emilia has come a long way since that first Buckle and Boots Paddock stage appearance – we can’t wait to see where this feisty, sassy take-no-prisoners artist goes next!

Daddy's Girl (Live) - the new single from Emilia Quinn - is available to download and stream from Friday 3 March

Find Emilia on Facebook, Instagram and her website and follow her on Spotify

 

Emilia Quinn is represented by ZimagineD Artist Management

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