Gig Review - Country In The Afternoon November 2024 - Half Moon Putney

They say “If it ain’t broke, don’t fix it” but they never said that you can’t change it! 

Due to (In Gavin’s words) “The stars aligning” the latest instalment of this twice-yearly fixture in the country music calendar became a one day special – and how special it was! 

In addition, the format of the day also changed, instead of a build-up of artists which grow in experience and fan bases, we saw three of the best male artists on the scene each take to the stage following by a highly anticipated writer’s round,  combining  them for an afternoon of music and stories.

We even saw Gavin deviate from his normal strict timekeeping, this was cast aside in favour of an early set start to allow more time for a certain artist who we know likes to talk.

Kicking off the show was Matt Hodges, followed by Gary Quinn, who invited on stage, to sing a duet, his special guest Mikki Evans.  Jeremy McComb followed the trend and also invited guests to the stage, including Robyn Red (on her way to another show) for a solo performance as they can’t find a song they both know; followed by his touring guitarist Yannick Van Riet to rock out  together.  The afternoon was rounded off by that quite special writers round, and yes, it ran over time!

With Jeremy centre stage you know you were in for fits of laughter, even when the sentiment of the story is supposed to be a sad one. Matt warned we might end up in tears, based on an previous telling out in Nashville but the laughter had already taken hold. Often, we can’t believe some of these events actually happened, but we all knew where the story was going from the minute Jeremy mentioned the hot water pull cord in the Quinn’s bathroom – yes, he pulled the disability alarm cord during the show in South Wales the previous night. Whilst we are used to artists playing along during a round, these three bounced off each other adding the raucousness of the event – it certainly wasn’t PG! “Whoop whoop” could be Mr McComb’s and the event’s title – a warning of an afternoon of fantastic music and stories. Yet again CITA didn’t disappoint.

Despite the fun, throughout the day, there was a repeated sentiment of gratitude, to the hosts but also to the audience. An appreciative audience, that enables artists to deliver their craft.

We at Silverball Country echo the gratitude, as its you, the fans that enable Country Music in the UK to survive and grow. Keep buying the music, the tickets and the merchandise and we’ll see you at an event soon!

 Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions

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Gig Review - Emilia Quinn Bare Faced Tour - Hare and Hounds Birmingham

 

The Emilia Quinn Bare Faced tour has been around the country, and on Sunday night it reached its final stop in The Hare and Hounds, Birmingham.  The venue has a special place in music history, and in Emilia’s own journey.  A year ago she played here with her full band on her very first headline tour, and the show was recorded so that a series of live singles could be released.  This time around there was no band, just Emilia, her guitarist John W Doyle, a coffee table and some mugs of tea.

 

The relaxed set up suited the intimate, seated audience and perhaps was a welcome rest at the end of a tiring tour.  In another break from the “normal” concert style, the warm up act was John – just him, his guitar and his stories.

 

If you’ve seen Emilia live over the last couple of years you’ll easily recognise John W Doyle, not just for his amazing beard, but also for his skilled guitar playing.  This tour allowed him to take centre stage, if only for a while, and show off those quite incredible guitar skills and his songwriting.  Normally with either Emilia’s band or a blues band, he displayed a fabulous intimacy with the listening audience.  Although he doesn’t believe in talking too much about the songs “because if you've done a good job, the song should tell the story” John is fun to listen to, with a mix of stories and one liners – and great song writing.  Inspired by his time on this tour he performed a song that he had finished that morning with the great title and repeated line Whiskey Into Wine, a song that really suits his soft yet gruff voice.

Before finishing his solo set, John apologised for singing depressing songs but said “A brighter future is coming”  Throughout the whole evening, from Emilia coming out to introduce John on stage, to the duet main show the genuine affection and mutual respect was very obvious.  These two have a genuine chemistry and have clearly enjoyed this quite special tour – the catchphrase being “I’ve had a lovely time”

 

There was a short break before Emilia came to the stage along with John – slightly delayed by eating cake in the green room!  Somehow even hearing about the cake added to the feel of the evening as we all shared in the story, if not in the actual cake!

 

Emilia is the ultimate rock chick.  An Outlaw, a firecracker, the baddest bitch in the land and has rocked out festival stages with her boundless energy, but on this tour she has gone “bare faced” and stripped back – and it suits her just as well as those big stage performances.  We were promised old songs, new songs and reimagined songs – and boy did she deliver!  Notable was the smoky, jazzy version of her anthemic Outlaw, so reimagined that it took a moment to even recognise it.  Vocally and stylistically, it was Emilia channelling her inner Amy Winehouse.  If there was ever any doubt about Emilia’s sheer musical range, this one song crushed that! 

We had a new song inspired by a chat gpt prompt, we witnessed Emilia play cello on a number of songs (incredibly well!) including on a reimagined Pretty Pink Pills, we had a “full circle” moment when we heard Let It Burn which was recorded at this venue and only ever released as a live track.

Emilia paid tribute to the important people in her life – during Father's Daughter she sang to her Father on Facetime, she dedicated the next song to her ever-worrying mother and of course she praised her wife, tour manager and voice of reason Tammy – “Everybody needs a Tammy”

 

All too soon this show, and the tour, had to come to a close (with a cover of Chris Stapleton’s Fire Away and an encore of Without You) but Emilia can’t sit still for long – she’s already announced her next live shows!

 

An album being recorded, a single release planned for February in London and Manchester all on the heels of a great tour with a change of style.

It seems there is no stopping Emilia.

Find Emilia on Facebook, Instagram and her website and follow her on Spotify

 Silverball Country attended the show as guests of Emilia Quinn

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Gig Review - First Time Flyers - Hare and Hounds Birmingham

The autumn tour season was opened yesterday by the first night of the First Time Flyers “Jump On Tour (part1)” – a teasing title, hinting that there may be more than just the three dates currently announced.  For their second headline tour since forming as a band, and their second full show in Birmingham they moved to the iconic music venue The Hare and Hounds in Kings Heath.  Its one of those “imagine who has played here” places, having played host to some legendary names over the years, and indeed Poppy Fardell promised from the stage that they would “always remember the night we played the Hare and Hounds”
 
Each night of the tour has a different supporting artist, and for those of us who saw the Birmingham show we were treated to the deep transatlantic tones of Jake O’Neill.  Hailing from Liverpool (“One of the good parts, I promise”) Jake has been gathering quite some attention, and in the summer played the Paddock Stage at Buckle and Boots festival – his first ever festival appearance.  Jake’s set was mostly his own compositions, each with a little explanation of its origins or what it means to him.  These included his first single after his semi final appearance on TV’s “The Voice”, his latest single and one written across the Atlantic, with a two second delay.  He’s also written a song in 15 minutes whilst sat on the bedroom floor at home, about wanting to leave his small town!  If you get the chance to hear Jake’s voice, and his songwriting, you really should take it!

 
Slightly delayed by some tech issues (it was the first night after all) our headliners took to the stage.  Almost immediately we were encouraged to “make some noise Birmingham” by Vicki Manser before the intro track kicked in.  Although on a small stage in a small room, the band certainly know how to let the crowd know they’ve arrived!  The songs are powerful from the off, the bass line and drums thumping.

When it comes to genre, its hard to classify First Time Flyers.  Their pedigree is solidly country, mixed with an absolute gift for performance – including between them the West End and some of the biggest stages you can imagine.  The songwriting is a collaborative affair, with experiences from all four thrown into the pot which is the honest storytelling we expect in Country Music, but the delivery at times is pure energetic pop.  Described as the “ABBA of UK Country” when you hear the pop vibe and energy and see the synchronised hand dancing from the girls during Heartbreak Handshake I’m tempted to call them the “Steps of UK Country” – in a tongue in cheek and loving way!

What is not in doubt is that all four – Tim Prottey-Jones, Poppy Fardell, Vicki Manser and Jake Morrell – love being on stage, love performing and love being on stage.  Their stage presence and their interactions demonstrate that not only is this a band made up of a lot of individual talent but also four very close friends.

The band were joined on stage by KT Parker on Bass and Lewis Jenkins on drums

Their final song was “Happier” – fitting for how much fun they were having – and was sung by the whole crowd with gusto.  The encore, after 90 minutes on stage was Say What You Wanna – with the lyrics delivered at machine gun speed, suggesting that, if allowed, they could have gone for another 90 minutes.  I guess we’ll have to wait for part 2!
 

High energy, high tempo and high volume.  However you classify them, First Time Flyers sure know how to put on a show!

 

You can catch Jump On Tour in London on 13 September and Manchester on 18 September.  Details on their Facebook and Instagram, music on their Spotify!

 

Silverball Country attended the show as guests of First Time Flyers 

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Festival Round Up - Pure Country Music and Dance Festival - Squires Cafe Yorkshire

 

“Its not my first rodeo” is an expression often used by people, but for the Pure Country MDF it sort of was.  Only “sort of” because although the team behind it are very experienced, this was their first time coming together to organise and run a weekend festival.  The team consisted of Kriss and Steve of Country 2 Western and Nashville Sessions, who are not only regular faces at many festivals, but also radio presenters and local promoters, and Alex Wise, a Leeds based line dance teacher and DJ.  We at Silverball Country were thrilled to be asked to join them – and the rest of the “ranch hands” (as the team were known) to bring our own events experience and to host the main stage across the weekend.

 

There are different styles within Country Music – traditional country, old Country, 90s/Bro country and modern country, to name but a few – and even in the UK scene there are some differences with the line dancers, the traditionalists and the modern.  Pure Country aimed to bring all of these together in one place – and they did so very well!  With a variety of acts across the four days there really was something for everyone.

Live music was punctuated by line dance teaching, the dance floors were full most of the time, and outside there was even a chance to try out horseshoe tossing and quick draw.

 

As well as the music there were traders in the Ranch Village, and each day saw a raffle to raise money for two very worthwhile charities – BrainKind and the Yorkshire Air Ambulance.

 

Kicking off on Thursday night with a nod to American Independence Day, Sam Marshall took the stage interspersed with Country Karaoke – or “Countryoke” as we renamed it.  With the room decked out with flags, props and the Dutton men plus Rip and Forrie from TV’s Yellowstone and the attendees decked out in Red White and Blue, it showed what was to come for the rest of the festival.

Friday morning saw the main part of the festival begin, with one of our finds of the festival – The Arkut Brothers.  New to the Country Scene they sang and played as though they had been country forever, with voices to match!  They play together and harmonise perfectly – perhaps it’s a brother thing!  Ellen Roy, Georgia Barker and Martin Boyd played through the afternoon, with Georgia and Martin also appearing on the acoustic stage outside, before the break to set up for the evening.  A familiar face around the Yorkshire circuit and a festival organiser herself Zenne played two sets before headliners Badlands took to the stage.  A band formed around a dad and his two daughters (one on lead guitar, one on sound) Badlands absolutely rocked out with a mix of songs taken from across the decades.  An encore was inevitable, it started with a Mona Conga – and the first conga we’ve seen with a guitarist taking part while still playing!

 

Saturday started early – for those already up and about there was line dancing in the main room before the live acts for the day.  Favourites from the club circuit Tanya Turner and Darren Knight kept everyone dancing while new band Po Po and the Fogies split their time between the main stage and the acoustic.  Also on the acoustic stage was our second find of the festival – Wirral based singer Tom Hodge who made the most of the sunshine, impressing everyone who heard him – definitely a name to remember and deep, southern vocals to remember too!

The Dolby Gang were the last act before the afternoon break allowed some to take in a football match while the stage was re-set for the evening.  After sound checking our headliner, Chris Raddings warmed everybody up with a very well received split set.  A short break for the raffle – which was generously supported all weekend – and a prize draw for tickets to next year’s festival and it was time for Stevie O’Connor and his band.  An absolute force of nature, Stevie suggested that nobody would need seats for his set – and he was right.  Absolutely exploding with energy, the Silverball Country Entertainer of the Year winner had the dancefloor full for the whole time he played.

Two full days, two big headline shows – and it still wasn’t over!

Sunday morning saw the whole festival move outside to the acoustic stage, this time with rows of seating!  Sam Marshall once again started us off with Alex Wise keeping us going until the arrival of Luke Flear, who only had a short drive from a neighbouring village!  Appearing at festivals all summer, Luke played a perfectly pitched set for a Sunday morning, showing his range of skills – guitar, keyboards, crowd interaction and winning personality.  The set really was the ideal way to round off this inaugural festival.

There is a need for the big festivals – but big festivals start from small ones, and we love to see them grow.  Even a mostly local event (for artists as well as “ranchers”) can attract people and acts from all over the scene and show that country music is for everyone – whether you’re a line dancer or not!  The Pure Country Music and Dance festival is pure in its approach – inclusivity and country music values

 

It may have been the first Pure Country Festival but we know it will not be the last – next year’s is already being planned.

 

With the strong start and excellent support, why not join us next year?  The dates are 3 – 6 July, and you can book via the Facebook page or by emailing purecountry.mdf@gmail.com.  

More details on the website

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Gig Review - Alyssa Bonagura - Hare and Hounds Birmingham

 

Birmingham has always had a thriving music scene, birthplace to (among others) UB40, Duran Duran, Ozzy Osborne and host to many touring acts, recently including The Shires at Town hall supported by a certain Alyssa Bonagura.  

Kings Heath’s Hare and Hounds - itself an iconic venue – was the venue for the first date of Nashville Unicorn Alyssa Bonagura on her first ever headline tour.  We call her a Unicorn because she's a Nashville native, growing up on a tour bus as the only child of travelling musicians with Baille & The Boys.  Despite her American upbringing, Alyssa has a real fondness for the UK, having performed here many times and graduating from Liverpool Institute Of Performing Arts.

Opening for her Birmingham show were close friends and Brum natives Gasoline and Matches.  Equally accomplished as an acoustic duo and a full band, tonight saw just Sally and Steve on stage entertaining the crowd with personal stories, and songs from their ever-growing catalogue.  Both could relate the story of when they first saw Alyssa when she was playing as part of duo The Sisterhood and how their friendship grew, including hosting her as part of their popular “Nashville Sounds In The Round” literally across the road in the intimate Kitchen Garden Café.  Its not a Gasoline and Matches set unless they finish with their popular drinking game/song “Never Have I Ever” which was joined in with gusto – despite it being a school night for most!

 

Alyssa took to the stage with a cry of “Are You Ready To Rock?” and for the next hour or so showed us what can be achieved with just two guitars and excellent songwriting.  Three guitars – she took delight in playing a beautiful blue guitar that was just “£80 in Denmark street”

 

Alyssa was accompanied on stage by Steve Shirley who plays lead guitar and boyfriend!  Together for two years, Welsh born Steve brings his own Birmingham connection having graduated from the University of Birmingham with a degree in Physics – “Shout out to all UoB physicists” was possibly the most niche shout out ever!

 

Its very clear how much Alyssa loves being on stage – and it doesn’t matter how big the stage.  She’s performed all over the world but seems incredibly at home in any venue. Talking about how much she enjoys hearing stories of how her fans relate to her stories she described her audiences as “We start as

strangers but leave as friends”.  The whole set could be best described as upbeat acoustic with songs drawn from across many years.  “This could be my Eras Tour” she said before inviting the audience to suggest what they sing next – which did mean a little bit of discussion over how songs start and showed that Steve isn’t just a guitarist/boyfriend but a great support to her on stage. Writing “happier songs” over the past two years, even Alyssa’s more heartfelt songs still have an element of energy to them, and we were all thrilled to light up our phones in memory of friend and collaborator Roman in a lovely tribute.

 

I caught up with Alyssa after the show, and after she’d taken time with every audience member – signing merch, posing for selfies – and asked her, after a lifetime touring, how different this – her first headline tour – feels

 

It’s a dream come true.  I’ve been wanting to do this since I was a little kid and its crazy when people buy tickets to your show and your able to pack out a venue.  Tonight was sold out.

It’s a total dream come true

 

In the words of her song Road Less Travelled

 

I ain't gonna chase money or fame

I'm just gonna do what makes me smile

 

You can catch Alyssa on her UK tour for the rest of June as well as find her on Facebook & Instagram and follow her on Spotify

Silverball Country attended the show as guests of Alyssa Bonagura and Gasoline and Matches 

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Gig Review - Nashville Sounds In The Round - Birmingham Symphony Hall May 2024

 

You guys have Ed Sheeran, why would you want to listen to me?

 

Despite flying in from America, playing guitar for Keith Urban, and being booked for a couple of festivals, Maggie Baugh retained that humble feeling that people in the UK wouldn’t know her music, having had a specific request in the interval.  John Wesley Satterfield quickly reminded her that “The internet is everywhere”

This kind of interaction is why we love songwriters rounds, and especially the regular Nashville Sounds InThe Round in Birmingham.  The latest show was a curtain raiser for Buckle and Boots this weekend, as it featured three American artists who will be playing at the Farm, alongside regular hosts Gasoline and Matches.

Joining Maggie on her first visit to the UK were Jeremy McComb, who is becoming a regular face over here, and John Wesley Satterfield, another UK debutante.  Maggie and John had also played Country InThe Afternoon at the weekend, while Jeremy – who will be co hosting the main stage at Buckle and Boots – has been on tour with Cody Pennington, opening with Gary Quinn.

A songwriters round is, by its very nature, an intimate style of show.  The artists tell us stories – about their songwriting inspiration, about their careers and often about their own lives.  As the show progresses the audience get to know the performers better, and as the artists get to know the audience better they start to loosen up more.  As this trio haven’t met each other very much before, you could see them get to know each other, and with Jeremy and John this led to more and more interaction and jokes, with them seeming like long lost twins by the end!  We were treated to more sensitive songs and stories than you might get on a full stage show, and also some hilarious conversations from the American contingent trying to navigate not only our currency “Your coins have an old lady on them” but also what we call our toilets.

All three guests were very entertaining as well as very talented  - and those seeing them again at the weekend are in for a real treat.

 

As for our hosts Sally and Steve, they also shared a very special story with us all.  They’ve got married!

 

Congratulations to Sally and Steve, and to the Americans – see you at Buckle and Boots!

Silverball Country attended Nashville Sounds in the Round as guests of Gasoline and Matches and B:Music

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Gig Review - Country In The Afternoon May 2024 - Half Moon Putney

 

The Half Moon pub in Putney, South West London is no stranger to great line ups, over the years it has played host to some of the absolute greats, and twice a year for the past few years has been home to Country In The Afternoon, brought to us by those fine folks at Cumbrae Promotions – Gavin and Christine Chittick.  Even if you haven’t heard of Country In The Afternoon, if you’re a country music lover you may have attended on of their other events - notably Millport Country Festival, or perhaps you’ve caught one of their ad hoc intimate evenings both in London and in Scotland.  If you’re a Buckle and Boots attendee, you’ll have seen Gavin running the Paddock Stage along with Silverball Country and Christine looking after the all-important beer tokens!

You have to wonder if these two ever stop.  We think the answer is no.  There's two more new events in the calendar this year alone, plus the next Country In The Afternoon.  They do take time for holidays – but those are as much for talent spotting as for relaxing!

Country In The Afternoon is two days of music in an iconic venue running from 12:30 until 5 – which gives time for drinks between the 4 acts (as they turnaround the stage) on each day plus a chance for a meal in the pub garden afterwards, especially when the weather is as good as it was this past weekend.

We joined the Chitticks on Sunday, which had an international line up – two American acts, two British acts – and an Austrian!

 

First up, from Nashville was John Wesley Satterfield.  John has a very traditional country sound to his voice, and a traditional style to his songwriting, with songs about his guitar, whiskey – great subjects!  Whilst he would never sell his battered old guitar, he did offer his beagle dog for sale!  Accompanied on stage for a couple of songs by Jon Stone (American Young) the storytelling was as good as the songwriting, with some numbers inappropriately dedicated to Grandma!  John didn’t use a set list preferring to go with the flow – and the same was true for the second act – Georgia born Ian Flanigan. Having appeared on The Voice - USA as part of Blake’s team, Ian is now known simply as “The Voice” and what a voice he has!  Despite being from the US, his stories resonated and were easy to follow.  We were treated to another guest appearance from Jon Stone who has written and produced the new material that Ian treated us to.  Notable was “The song with the longest title” – the very relatable Words I Never Heard An Old Man Say.

 

Both John and Ian were visiting the UK for the first time, whereas the next band to take to the stage were far more familiar having played the event before and also just finished a UK Tour.  Lewis and Izzy (from Austria!) better known as Two Ways Home.  As well as their trademark light teasing of each, other Two Ways Home delivered a loud and rocking set backed by Michael Clancy on guitar and Jake Stanton on drums.  Even Gavin Chittick was moved to declare that it was possibly the best they have ever sounded – and we have to agree!  The band are very hardworking and seem to constantly look at ways of improving their show – this time including some more intimate songs around their bespoke, old style microphone – in fact there are only three of these microphones around, and notably, Bob Harris has one of the only other two!

 

The afternoon was rounded off with a storming set from First Time Flyers, who are making waves across a number of stages and festivals.  First Time Flyers gave us our second full band set of the day, and brought with them an enthusiastic and dedicated following showing that whatever the size of the event, independent gigs can build and hold an audience!

 

Time to rest?  Nope.  Next up from Cumbrae Promotions is the Signature Brew Americana Showcase, London E17 on 22 June and Milltown Music Festival in Paisley nr Glasgow on 31 August

Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions

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