Take an iconic venue, add in
some touring artists, mix with the Chittick’s unerring ability to curate a line
up and the result is another stunning Country In The Afternoon.
If you haven’t yet sampled a
CITA, its basically a mini festival over two days. Taking place at the Half Moon Pub in Putney,
which has played host to a long list of legends over the years, you get to see
four acts per day, starting at 1 and finishing at 5, in time to sample the
fabulous food that the pub has to offer.
Each day has a great line up, so you can do either day or both and still
have a great time. Although the weekend
attracts in excess of 300 people over the two days in comfort, it still feels
like an intimate gig, with many of the artists opting to play an acoustic or
stripped-down set.
Following on so closely
after Buckle and Boots Festival, there was a chance to see some of the touring
artists who played in Manchester, and this weekend saw a Saturday line up of
Matt Wynn, Jessie G, and Australia’s Josh Setterfield (who all played the main
stage), headlined by Alyssa Bonagura while on Sunday headliner Aaron Goodvin
from Canada was joined by Eleri Angharad (who played the Paddock stage) plus
Simon James and James Riley. We attended
on Sunday, fighting our way through tube closures to make it to a sunny corner
of South West London.
The theme of Sunday was very
much about telling stories – it was as much about the stories as the
music. Eleri Angharad was up
first and set the tone. Her style of
gently strumming her guitar while she talks is very soothing and keeps a link
between words and songs. She played her
fabulous new single Good For A Girl, and ended with a great rendition of
These Boots Were Made For Walking which really got the crowd singing
along and pumped for the rest of the day.
She was also wearing good boots!
Simon James
hasn’t been around much recently, but he’s back and with the promise of a new
album. If anything, his voice has
matured, and it’s a voice that we have really missed. When Simon sings he transports the audience
and himself to a different place. You
can see this in Simon because either his eyes are closed or he’s staring out
into the distance. Speaking to Simon
after the show he confirmed he is often not on that stage. Simon loves to talk between songs and even
shifted his set list around to accommodate the time he had taken!
This collab was completely unexpected and one of the best we have ever seen. Already a big star in Canada, Aaron would like to cultivate a “sexy image” in the UK, rather than the Kermit comparisons from a comment on the tour. There followed a few passable Kermit impressions which added to the general light-hearted approach Aaron took to his set, delivering a personal, intimate, powerful and hugely entertaining show before joining us all outside in the sunshine.
We have worked with Gavin
and Christine Chittick at a number of festivals, so we know how hard working
they are and how very welcoming too.
They have a real talent for finding artists who will work well in the
Country In The Afternoon format as well as the Millport Festivals that they put
on, and while Millport is taking a break we know that they will continue to
promote great music and introduce us to new artists. Country In The Afternoon allows for music,
meeting up with friends and the chance for us to really appreciate the artists
we may have missed while working at festivals, all in relaxed surroundings.
See you in November!
Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions
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