Album Review - All I Own - Jessica Lynn

 

Jessica Lynn is an absolute bundle of energy, which shows in both her live performances and in her recordings.  With musicians for parents (who are part of her band) it is fair to say that Jessica was born to be on stage, and if you’ve had chance to see her, you will probably agree!

 

It would take too long to list all of Jessica’s attributes, but being a fighter is near the top of that list, and the new album – All I Own – is testament to her resilience.  Dealing with health issues, wider global problems that affected tours and even adopting a disabled dog, Jessica doesn’t let anything hold her back – in fact, she seems to channel it all into her music!

The first track, Bet On It, lays down a marker for the album.  Heavy guitar riff, strong rhythm and Jessica’s Country Rock vocal lets you know from the off that this is not an album of soft ballads! Something Bout You continues the vibe, albeit with a slightly lighter instrumental line, putting more focus on the words and emotion in them.  Ain’t Done With You shows that the band can drive a song in different ways, always guitar driven but this time with a great drum/percussion added to it.  The title track All I Own takes a small break from the rock, with acoustic guitar and strings perfectly accompanying the first softer song.  Jessica has the ability to switch between rocking out and emotional, at live shows she has reduced an audience to absolute silence while listening. 

Shame changes tempo again, a very Latin feel incorporating some pop style production and using the best of these styles.  If Shame is Latin, Mixed Signals is unashamedly rock, summoning up a smoke-filled dive bar sound and feel, bringing in a bluesy edge.

 

Scott Vincent

The entire album is incredibly listenable, as Jessica goers “twisting and turning” through different styles, changes of tempo, fabulous use of instrumentation to accompany each track.  From the near theatrical Mixed Signals into the more country sounding Straight Outta Luck and then the beautiful, heartfelt duet You Save Me, any part of this album takes you on a journey.  While the songs form part of Jessica’s journey, you are able to use them for your own story too.

From the evocative harmonies and steel of You Save Me, the drums and rock edge are back with 16 Miles, but this time with a gospel feel, and strings playing the part of the backing choir.  Despite setbacks – medical, global and personal, Jessica will never hide, never use anything as an excuse.  The recording of this album was a physical trial and so it is fitting that the closing track is I Never Said It’d Be Easy.  Maybe the most obviously personal track of the ten, it is an anthem to overcoming struggles but in the uplifting style that we have come to expect from listening to Jessica in the studio and live.  It’s the perfect ending to an close to perfect album

 

Silverball Country

The talent, the passion, the fight is all clear to see.  Behind the performer is a tight family and a fabulous welcoming manner.  The album is a personal journey, but one we are invited to join in with and interpret our own way.  It’s like a ten track recording of Jessica cheering us all on from the sidelines.

All I Own, the new album from Jessica Lynn is available to download or stream from Friday 17 January.

You can find Jessica on Facebook and Instagram and follow her music on Spotify

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Gig Review - Country In The Afternoon November 2024 - Half Moon Putney

They say “If it ain’t broke, don’t fix it” but they never said that you can’t change it! 

Due to (In Gavin’s words) “The stars aligning” the latest instalment of this twice-yearly fixture in the country music calendar became a one day special – and how special it was! 

In addition, the format of the day also changed, instead of a build-up of artists which grow in experience and fan bases, we saw three of the best male artists on the scene each take to the stage following by a highly anticipated writer’s round,  combining  them for an afternoon of music and stories.

We even saw Gavin deviate from his normal strict timekeeping, this was cast aside in favour of an early set start to allow more time for a certain artist who we know likes to talk.

Kicking off the show was Matt Hodges, followed by Gary Quinn, who invited on stage, to sing a duet, his special guest Mikki Evans.  Jeremy McComb followed the trend and also invited guests to the stage, including Robyn Red (on her way to another show) for a solo performance as they can’t find a song they both know; followed by his touring guitarist Yannick Van Riet to rock out  together.  The afternoon was rounded off by that quite special writers round, and yes, it ran over time!

With Jeremy centre stage you know you were in for fits of laughter, even when the sentiment of the story is supposed to be a sad one. Matt warned we might end up in tears, based on an previous telling out in Nashville but the laughter had already taken hold. Often, we can’t believe some of these events actually happened, but we all knew where the story was going from the minute Jeremy mentioned the hot water pull cord in the Quinn’s bathroom – yes, he pulled the disability alarm cord during the show in South Wales the previous night. Whilst we are used to artists playing along during a round, these three bounced off each other adding the raucousness of the event – it certainly wasn’t PG! “Whoop whoop” could be Mr McComb’s and the event’s title – a warning of an afternoon of fantastic music and stories. Yet again CITA didn’t disappoint.

Despite the fun, throughout the day, there was a repeated sentiment of gratitude, to the hosts but also to the audience. An appreciative audience, that enables artists to deliver their craft.

We at Silverball Country echo the gratitude, as its you, the fans that enable Country Music in the UK to survive and grow. Keep buying the music, the tickets and the merchandise and we’ll see you at an event soon!

 Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions

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Gig Review - Emilia Quinn Bare Faced Tour - Hare and Hounds Birmingham

 

The Emilia Quinn Bare Faced tour has been around the country, and on Sunday night it reached its final stop in The Hare and Hounds, Birmingham.  The venue has a special place in music history, and in Emilia’s own journey.  A year ago she played here with her full band on her very first headline tour, and the show was recorded so that a series of live singles could be released.  This time around there was no band, just Emilia, her guitarist John W Doyle, a coffee table and some mugs of tea.

 

The relaxed set up suited the intimate, seated audience and perhaps was a welcome rest at the end of a tiring tour.  In another break from the “normal” concert style, the warm up act was John – just him, his guitar and his stories.

 

If you’ve seen Emilia live over the last couple of years you’ll easily recognise John W Doyle, not just for his amazing beard, but also for his skilled guitar playing.  This tour allowed him to take centre stage, if only for a while, and show off those quite incredible guitar skills and his songwriting.  Normally with either Emilia’s band or a blues band, he displayed a fabulous intimacy with the listening audience.  Although he doesn’t believe in talking too much about the songs “because if you've done a good job, the song should tell the story” John is fun to listen to, with a mix of stories and one liners – and great song writing.  Inspired by his time on this tour he performed a song that he had finished that morning with the great title and repeated line Whiskey Into Wine, a song that really suits his soft yet gruff voice.

Before finishing his solo set, John apologised for singing depressing songs but said “A brighter future is coming”  Throughout the whole evening, from Emilia coming out to introduce John on stage, to the duet main show the genuine affection and mutual respect was very obvious.  These two have a genuine chemistry and have clearly enjoyed this quite special tour – the catchphrase being “I’ve had a lovely time”

 

There was a short break before Emilia came to the stage along with John – slightly delayed by eating cake in the green room!  Somehow even hearing about the cake added to the feel of the evening as we all shared in the story, if not in the actual cake!

 

Emilia is the ultimate rock chick.  An Outlaw, a firecracker, the baddest bitch in the land and has rocked out festival stages with her boundless energy, but on this tour she has gone “bare faced” and stripped back – and it suits her just as well as those big stage performances.  We were promised old songs, new songs and reimagined songs – and boy did she deliver!  Notable was the smoky, jazzy version of her anthemic Outlaw, so reimagined that it took a moment to even recognise it.  Vocally and stylistically, it was Emilia channelling her inner Amy Winehouse.  If there was ever any doubt about Emilia’s sheer musical range, this one song crushed that! 

We had a new song inspired by a chat gpt prompt, we witnessed Emilia play cello on a number of songs (incredibly well!) including on a reimagined Pretty Pink Pills, we had a “full circle” moment when we heard Let It Burn which was recorded at this venue and only ever released as a live track.

Emilia paid tribute to the important people in her life – during Father's Daughter she sang to her Father on Facetime, she dedicated the next song to her ever-worrying mother and of course she praised her wife, tour manager and voice of reason Tammy – “Everybody needs a Tammy”

 

All too soon this show, and the tour, had to come to a close (with a cover of Chris Stapleton’s Fire Away and an encore of Without You) but Emilia can’t sit still for long – she’s already announced her next live shows!

 

An album being recorded, a single release planned for February in London and Manchester all on the heels of a great tour with a change of style.

It seems there is no stopping Emilia.

Find Emilia on Facebook, Instagram and her website and follow her on Spotify

 Silverball Country attended the show as guests of Emilia Quinn

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Single Review - Something 'Bout You - Jessica Lynn

 

Something ‘Bout You is a feel-good story about falling in love and having the most amazing adventures together.

If you follow Jessica on her social media, or you’ve seen her perform live with her band, you’ll know that that one line seems to sum up her (public) life.  Married to Steve who plays lead guitar with the band and touring with her family and close friends, it sure looks like Jessica does have the most amazing adventures, especially as a lot of the gigs they play have a purpose – whether its raising money for toys at Christmas or entertaining US troops.  Jessica and the band have even recently toured in Malaysia where she took part in a panel discussion.

 

The new single is pure Jessica Lynn.  Powerful guitar intro, strong vocals, great instrumentation and a fun, bouncy melody.  The sound of the song creates a feeling of those amazing adventures – the fast pace gives almost a sense of travelling – whether that’s physical or through time, and despite listening to it on a cold misty day in England, for three and half minutes I was transported to long hot summers, and yes, adventures.

There is something nostalgic about the song and I hope it brings everyone listening back to a really special time in their lives

There is!  The song will make you think of a time – for me it conjures up an image of being young, out on our bikes exploring and having fun, but the beauty of music – and this song – is that it will bring out a different memory, a different time for every listener.

Do you wanna come along with me on the adventure of our wildest dreams

Jessica has been described as “Country Arena Rock” and her music sweeps you up, and takes you along with her.  The energy of her live shows has to be experienced, but through singles like this you certainly get a feel for it!

 

Scott Vincent

We look forward to more adventures!

Something 'Bout You, the new single from Jessica Lynn is available to download and stream from Wednesday 16 October

Find Jessica on Facebook and Instagram, and follow her on Spotify

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Gig Review - First Time Flyers - Hare and Hounds Birmingham

The autumn tour season was opened yesterday by the first night of the First Time Flyers “Jump On Tour (part1)” – a teasing title, hinting that there may be more than just the three dates currently announced.  For their second headline tour since forming as a band, and their second full show in Birmingham they moved to the iconic music venue The Hare and Hounds in Kings Heath.  Its one of those “imagine who has played here” places, having played host to some legendary names over the years, and indeed Poppy Fardell promised from the stage that they would “always remember the night we played the Hare and Hounds”
 
Each night of the tour has a different supporting artist, and for those of us who saw the Birmingham show we were treated to the deep transatlantic tones of Jake O’Neill.  Hailing from Liverpool (“One of the good parts, I promise”) Jake has been gathering quite some attention, and in the summer played the Paddock Stage at Buckle and Boots festival – his first ever festival appearance.  Jake’s set was mostly his own compositions, each with a little explanation of its origins or what it means to him.  These included his first single after his semi final appearance on TV’s “The Voice”, his latest single and one written across the Atlantic, with a two second delay.  He’s also written a song in 15 minutes whilst sat on the bedroom floor at home, about wanting to leave his small town!  If you get the chance to hear Jake’s voice, and his songwriting, you really should take it!

 
Slightly delayed by some tech issues (it was the first night after all) our headliners took to the stage.  Almost immediately we were encouraged to “make some noise Birmingham” by Vicki Manser before the intro track kicked in.  Although on a small stage in a small room, the band certainly know how to let the crowd know they’ve arrived!  The songs are powerful from the off, the bass line and drums thumping.

When it comes to genre, its hard to classify First Time Flyers.  Their pedigree is solidly country, mixed with an absolute gift for performance – including between them the West End and some of the biggest stages you can imagine.  The songwriting is a collaborative affair, with experiences from all four thrown into the pot which is the honest storytelling we expect in Country Music, but the delivery at times is pure energetic pop.  Described as the “ABBA of UK Country” when you hear the pop vibe and energy and see the synchronised hand dancing from the girls during Heartbreak Handshake I’m tempted to call them the “Steps of UK Country” – in a tongue in cheek and loving way!

What is not in doubt is that all four – Tim Prottey-Jones, Poppy Fardell, Vicki Manser and Jake Morrell – love being on stage, love performing and love being on stage.  Their stage presence and their interactions demonstrate that not only is this a band made up of a lot of individual talent but also four very close friends.

The band were joined on stage by KT Parker on Bass and Lewis Jenkins on drums

Their final song was “Happier” – fitting for how much fun they were having – and was sung by the whole crowd with gusto.  The encore, after 90 minutes on stage was Say What You Wanna – with the lyrics delivered at machine gun speed, suggesting that, if allowed, they could have gone for another 90 minutes.  I guess we’ll have to wait for part 2!
 

High energy, high tempo and high volume.  However you classify them, First Time Flyers sure know how to put on a show!

 

You can catch Jump On Tour in London on 13 September and Manchester on 18 September.  Details on their Facebook and Instagram, music on their Spotify!

 

Silverball Country attended the show as guests of First Time Flyers 

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Festival Round Up - The Long Road 2024

With 2024 being our second year at the Long Road Festival, the iconic sign saying “welcome back old friend” seemed extra poignant – and the “friend” part really does sum up the vibe of the festival.  With around 8000 attendees you could expect to feel crowded and just one person in a sea of humanity, but that’s not how it feels at all – instead you wander around a well-spaced out event, either to a plan based on the very useful app or just drawn by the sound of music coming from one of the five stages – six, if you include the new, intimate stage in the VIP area.  If you’re a regular at TLR or on the UK country scene you will no doubt be bumping into friends along the way – but if you’re not, you’ll quickly make friends in the shared spaces around the stages, or squeezing onto a table to eat some of the great food on offer around the site.  “Can I sit there” is always answered with a smile and a “yes”.  For those attending solo, the Facebook group for attendees had a wonderful idea of badges so that people could meet in real life those they had met online!

This feeling of being one big family extends to the artists too.  We’ve long held that the UK country scene is a supportive family, and as we watched acts on stage it was heartwarming to see other artists stopping to watch a set – Chrissy and Ben from the Shires caught the First Time Flyers on Sunday, Alan Finlan and his band watched Oscar Corney from the side of the Front Porch stage before their own set and we bumped into Dan Smalley from Nashville catch some early morning folk from Clara Mann

The UK scene was well represented, although many of the sets were on Friday afternoon.  Kezia Gill popped in to watch Jade Helliwell and joined her on stage for a duet on her second set, and the VIP stage saw a range of UK artists gather quite a crowd, including bands heading back from the Main Stage – Colour Me Country All Stars and Morganway certainly enjoyed some shows.

 

What of the rest of the festival?  Tickets for most big events are sold on the headliners – this year we had the legendary Don McLean and on Sunday Russell Dickerson – but The Long Road is more than that.  Many people attending are wondering who will be the “new find” of the weekend (and that’s a very personal find, someone you haven’t heard before even if others have).  For us Flatland Cavalry on the Interstate stage delivered a superb set with great audience participation.  Also on Interstate was Kaitlin Butts whose set was loud and full of energy – in contrast to her later, acoustic set on Buddy’s – but both were absolutely unmissable.   For sheer crowd numbers Dasha deserves a mention – her audience stretched a long way outside the tent and her start was even delayed due to safety concerns.

 

With the music, the car show, the shopping, the food, the BBQ demonstrations, boot branding, Yeti’s roping, O’Donnells Cornhole or just the chance to meet up with friends, there is something for everybody, no matter how big a Country fan you are.  Don’t forget the little possums – the event welcomes children with their own play area, and especially welcomes dogs!

The Long Road is a family.  A very very big one!

See you next year old friend

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Single Review - Best Things - Wood Burnt Red

 

Wood Burnt Red are one of the bands that we will be looking forward to seeing at this weeks The Long Road Festival as they make their TLR debut on Friday night – on The Front Porch for the Ariat take over hosted by Two Ways Home

To make the weekend even more special they are releasing their new single – Best Things – on Friday too. 

As we have come to expect from Wood Burnt Red, the song is about real life – in this case the struggle to have it all, and the expense that goes with that!  Many of us can probably relate to the lyrics

I got a nice home, that I don’t own, 

And a car on the drive that’s not paid for.

It’s Wood Burnt Red, so it’s got a heavy sound, its got gruff vocal delivery but this time they have broken away a little from their Malvern roots and gone quite American with the sound, especially in the intro and opening verse.  As they hit the chorus they sound more like themselves and a little more comfortable, and there’s a lovely instrumental break where they sound like they are just having some fun with guitars and keys!

Unashamedly starting out as a “Dad Band”, each release and each stage performance sees the boys getting more polished with their playing and songwriting – but the songwriting hasn’t lost any of its realism or integrity, as they are not afraid to tackle real topics head on – which has included personal appearance in the past, and the difficulties of the modern, materialistic world that we all live in.

The Long Road isn’t the only festival this summer for Wood Burnt Red, having played main stage at Buckle and Boots, Black Deer with the BCMF in Blackpool to come

Best Things, the new single from Wood Burnt Red, is available to download and stream from Friday 23 August.  

Catch the band at The Long Road Festival, The British Country Music Festival and on their socials Facebook and Instagram.  If you stream music, give them a follow them on Spotify

 

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