Showing posts with label blues. Show all posts
Showing posts with label blues. Show all posts

Tuesday, January 14, 2025

Album Review - All I Own - Jessica Lynn

 


Jessica Lynn is an absolute bundle of energy, which shows in both her live performances and in her recordings.  With musicians for parents (who are part of her band) it is fair to say that Jessica was born to be on stage, and if you’ve had chance to see her, you will probably agree!

 

It would take too long to list all of Jessica’s attributes, but being a fighter is near the top of that list, and the new album – All I Own – is testament to her resilience.  Dealing with health issues, wider global problems that affected tours and even adopting a disabled dog, Jessica doesn’t let anything hold her back – in fact, she seems to channel it all into her music!

The first track, Bet On It, lays down a marker for the album.  Heavy guitar riff, strong rhythm and Jessica’s Country Rock vocal lets you know from the off that this is not an album of soft ballads! Something Bout You continues the vibe, albeit with a slightly lighter instrumental line, putting more focus on the words and emotion in them.  Ain’t Done With You shows that the band can drive a song in different ways, always guitar driven but this time with a great drum/percussion added to it.  The title track All I Own takes a small break from the rock, with acoustic guitar and strings perfectly accompanying the first softer song.  Jessica has the ability to switch between rocking out and emotional, at live shows she has reduced an audience to absolute silence while listening. 

Shame changes tempo again, a very Latin feel incorporating some pop style production and using the best of these styles.  If Shame is Latin, Mixed Signals is unashamedly rock, summoning up a smoke-filled dive bar sound and feel, bringing in a bluesy edge.

 

Scott Vincent

The entire album is incredibly listenable, as Jessica goers “twisting and turning” through different styles, changes of tempo, fabulous use of instrumentation to accompany each track.  From the near theatrical Mixed Signals into the more country sounding Straight Outta Luck and then the beautiful, heartfelt duet You Save Me, any part of this album takes you on a journey.  While the songs form part of Jessica’s journey, you are able to use them for your own story too.

From the evocative harmonies and steel of You Save Me, the drums and rock edge are back with 16 Miles, but this time with a gospel feel, and strings playing the part of the backing choir.  Despite setbacks – medical, global and personal, Jessica will never hide, never use anything as an excuse.  The recording of this album was a physical trial and so it is fitting that the closing track is I Never Said It’d Be Easy.  Maybe the most obviously personal track of the ten, it is an anthem to overcoming struggles but in the uplifting style that we have come to expect from listening to Jessica in the studio and live.  It’s the perfect ending to an close to perfect album

 

Silverball Country

The talent, the passion, the fight is all clear to see.  Behind the performer is a tight family and a fabulous welcoming manner.  The album is a personal journey, but one we are invited to join in with and interpret our own way.  It’s like a ten track recording of Jessica cheering us all on from the sidelines.


All I Own, the new album from Jessica Lynn is available to download or stream from Friday 17 January.

You can find Jessica on Facebook and Instagram and follow her music on Spotify


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Wednesday, May 29, 2024

Single Review - How Long Have You Known - Kezia Gill and Jade Helliwell

 


As a fan of the UK Country music scene, you will surely have come across Kezia Gill and Jade Helliwell – be it on their own headline tours, their joint “Girls Night In” tour or perhaps at one of the various festivals around the UK.  Both have their own loyal followings, built in part during lockdown with livestreams – which spawned the “Friday Night Club” for Kezia.  Lockdown (can we talk about that as just history now?) also led to remote songwriting sessions for many – and especially for two best friends.

The outcome of one of these sessions – and only the second time of collaborating this way for Kezia – was the song How Long Have You Known.  Now three years on from its creation and after performing it together live on many occasions the pair have now recorded it for release on Friday 31 May.

Written about the shock of finding out your partner is leaving, the song and the performance are emotion laden, reflecting that bolt from the blue feeling

Didn’t see it coming, didn’t think you’d break my heart

Accompanying the two powerful vocal performances is a beautiful string arrangement which blends perfectly and highlights the soulful delivery and feel of the song.

As well as being able to now download or stream the song, you’ll have the chance to hear both of these artists live later this year, as Jade takes to the road in October for her How Love Goes acoustic tour while Kezia will be touring in October and November with her The Story So Far tour.  Tickets for both are available now and selling fast!

 

 


How Long Have You Known

the new song from Kezia Gill and Jade Helliwell is available on all platforms from Friday 31 May

 


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Sunday, November 19, 2023

Gig and Album Review - Wanderlust and Breaking Hearts - Emilia Quinn

 


“You’ve made my dream come true”

Emilia Quinn took the stage in the intimate but iconic venue 2 at The Hare and Hounds in Birmingham on Wednesday night as part of her Wanderlust and Breaking Hearts tour – a tour that could have been titled the Dreams Come True Tour.  An opportunity to not only play a headline tour but also release – in fact “celebrate” her debut album was clearly a massive deal for Emilia who has seen her standing in the UK Country scene grow over the past few years, from acoustic solo sets to main stage performances at Buckle and Boots.

 

Accompanied by her loyal and very talented band – John W Doyle on lead guitar, Michael Addy on bass and Steven McMurray on drums – Emilia spent an hour and a half on stage playing not just the new tracks but some old favourites too. The night was certainly a celebration – of the new album, of Emilia’s vocal range and her songwriting ability.

 


With two opening acts, the night was certainly good value, and in a lovely touch, Emilia made a point of coming to the stage to personally introduce each one.

Friend and fellow Yorkshire resident Matt Hodges opened the show with an acoustic set.  Most people will be more used to seeing Matt with a full band – or even an orchestra last summer! – but with nothing more than an acoustic guitar and his deep, gravelly voice he warmed up the crowd for the night to follow.  With catchy sing along songs and a superb set ending rendition of Friends In Low Places it is easy to see why Matt spends most of his year on the road performing – and he has just finished his own UK tour along with Ruthie Collins.


Matt gave way to Midlands band Wood Burnt Red.  Formed in 2020, WBR have exploded onto the UK country scene.  Squeezing five of them on to the stage they brought their style of southern rock which complements Emilia’s own style.  Playing their back catalogue and their latest single – 18 Stone -  you could sense the room warming up ready for our headliner!

 


Emilia Quinn has come a long way, but it her own words she’s not stopping!  Despite the scale of the undertaking – an album and a headline tour all in one week – she remains a calm, professional performer, although she did say to us before the show

I’ll take it in when its finished 

The band support her superbly – even filling in while she changes guitar! – and provide a strong platform for her voice.  Probably her best loved hit, the rocky and feisty Outlaw certainly got the crowd going, and they listened attentively to her sadder songs.  The inclusion of Girltalk called for an additional singer – and if you weren’t at the Birmingham show you missed the sight of Tom Franklin from Wood Burnt Red in a blonde wig filling in for the multiple female vocals on that single!

 


The album itself is a bit of a departure from some of her previous work, with a gospel/blues influence to many of the tracks.  Hearing it live was hugely different to listening to our review copy, especially as Emilia explains the influences behind the songs – her wife Tammy (Magpie) , the loss of her grandfather (Rosary Beads).  We learned that Mountains is just Emilia and piano because the band couldn’t fit in the studio when recording it and decided that they couldn’t add anything to it.



Southern Gospel influenced River rightly opens the album, and opens with just Emilia’s voice before the backing instrumentation comes in softly.  This sets the tone for what is to come and demonstrates a maturing since the earlier work, whilst Magpie shows that Emilia hasn’t lost her rocky edge.  Nothing To Lose blends a soft opening with a uptempo rhythm.  Previous single Mr Shame is a nod to bad relationships and a nod to more rock/pop infused country.  In My Boots is bluesy with a thumping bass track that we all clapped and stamped to at the live show, while Mountains is slow and heartfelt, working perfectly as just keys/vocal.  On The Run is again blues, whilst Daddy’s Girl gives us the album and tour title, opening with the words “Wanderlust and Breaking Rules”.  Rosary Beads is clearly very personal, and was an outpouring after the loss of her Grandfather, a very measured and gentle tribute.  Final track Backroads also closes the live show.  Is a fitting close to both as it has the message of overcoming your struggles and keeping on to your goal.

 


If the album showcases Emilia’s developing songwriting ability, the live show showcases her developing performance.  Entertaining, talented and professional, she’ll “keep travelling down these backroads” and it should be a great journey!




Silverball Country attended Wanderlust and Breaking Rules at the Hare and Hounds  as guests of Emilia Quinn and ZimagineD Artist Management

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Saturday, October 21, 2023

Gig Review - Kezia Gill - O2 Institute Birmingham


Kezia Gill has her name in lights!  The Misfit tour rolled in to the O2 Institute in Birmingham on Friday night for the seventh of eight nights on the tour. The tour started on her birthday, and the party hasn’t stopped since.

 

Opening for Kezia was Sinead Burgess – an Australian who comes to us via Nashville.  Sinead has been having the time of her life travelling around the UK with the band, and Friday was extra special as it was also release day for her latest single Ain’t Thinking About You.  Sinead’s music and songwriting is very emotive and suits the UK audience, her performance is reminiscent of artists such as Sheryl Crow, whose songs and storytelling always connected well.

 


The stage lights dimmed apart from the bright green neon sign proclaiming Kezia’s name.  The Misfit Tour opened – of course – with the title song.  Full of energy Kezia was a shimmering star in the green whirl of the stage.  Even though it’s a new album, the packed room were word perfect for every song.

 


Kezia doesn’t just share her music; she loves to bring you into her world.  You have to love the honesty that comes out when Kezia introduces her songs.  All the fans will forever be grateful to the Jack Daniels night in Oxford and the songs it produced.  Whilst we wish we could hear the “horrendous ones”, in Kezia’s words we will settle for what we got.  This story was the setting for Kezia to perform solo – “just me and you” as she puts it. 

Kezia says, “it wouldn’t be a Kezia Gill tour without a little cry”, but as she is a party girl at heart, she compressed them all into a little segment.  Kezia suggested that “You will cry during, but you’ll have has a good time” works just as well for describing her shows and for a Tinder profile!


Kezia blends country, with a bit of blues, some rock and some fabulous traditional storytelling, with some of her songs being very personal – House On The Hill describing that one place she loves the most, despite visiting fabulous locations there’s nothing better than putting your slippers on at home, and we heard a superb segue of Price of Loving You into the song for her father Local Man’s Star.

The setlist was mainly the new album, but some songs had to be included – Country Song (written in Nashville about Nashville) and Thirties both drawing an excited reaction from the crowd, for whom these are firm favourites.  At times a brief story is all it takes to guess what’s coming!



Kezia is a very warm, personable performer.  Her acknowledgements of not just the band (Luke Thomas, Luke Barrett, Phil Donnelly, Cristiano Pochesci) but her wider team (Sound Engineer Ian Clarke, Manager Donna Zanetti, opening artist Sinead) are heartfelt and always end up with her “Best friend, Husband and Tour Manager Lloydy”.

Every show must come to an end, but no fake encores for Kezia.  She announced her last song, forgoing the pantomime of leaving the stage only to come back on.  Although she now has quite a back catalogue to choose from, there could only be one song as the finale for the Whisky Drinking Woman - who was born a Misfit.

Silverball Country attended the Misfit Tour as guests of ZimagineD Artist Management



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Thursday, July 13, 2023

Gig Review - Jessica Lynn - Hare and Hounds Birmingham July 2023


In a week when The Chicks played arena shows and Bruce Springsteen and Billy Joel both filled London’s Hyde Park, we went back to a roots music venue in Birmingham to catch up with a band who have become friends over the years.

Although the Hare and Hounds in Kings Heath is a relatively modest sized venue, it is filled with history having played host to many up-and-coming artists – Ed Sheeran, Ellie Goulding, Basement Jaxx as well as being the venue for the first ever gig by legendary Birmingham Band UB40.

Despite the main room not being concert hall sized, that doesn’t mean that the shows are small.  This was certainly the case on Thursday evening when the stage was filled by Jessica Lynn and her band, plus her two support acts – Georgia Jones and Gasoline and Matches.

Gabriella Jones opened the night with a blues infused set punctuated by her fabulous chat and banter.  Tasked with warming up the crowd, Georgia made sure that she had fulfilled her task, encouraging sing-alongs and asking us all to be loud enough to be heard in the dressing rooms.  With her easy rapport with the audience it was easy to see why she is running a new open mic night in Sutton Coldfield.

 


Gasoline and Matches were up next, recreating their headline show from Buckle and Boots.  With the addition of a saxophonist and an opening spoken introduction, Sally, Steve and the band are going from strength to strength.  With Gasoline and Matches you know you are going to see a polished, high energy, professional show.  As close friends of Jessica, they are the obvious choice for support, especially in Birmingham and they didn’t disappoint.

On the subject of support acts – Jessica selected a different opener for each of the shows in the UK, giving a platform to local artists which is great to see, and absolutely fits the friends and family feel

Jessica Lynn and her band haven’t made the trip from their New York State home to the UK since 2019, with their previous tours being cancelled because of – well, you know why!  If you haven’t seen the band in action, they are certainly a band with a difference.  As New Yorkers playing Country Music they are already outside the mainstream – something that Jess feels she shares with UK Country fans! – but they are also a family. With husband Steve on lead guitar, dad Pete on Bass, mum Victoria n keys/backing vocals and even Matthew Bauer on drums is such a long time friend (15 years!) he is considered a brother!  This close relationship is evident in how effortlessly all 5 interact, play, dance and even punch the air in absolute unity.  The enforced sabbatical wasn’t wasted time – Jessica used the time to fulfil a dream and release an album, which had great success.  Most of the show was songs from that album, all well received. 




After that enforced break, Jessica and the band have been playing shows and festivals in a range of countries across Europe.  What is evident from their social media posts is that they are seeing and making friends wherever they go – and they have played to some big crowds!

If its your first time seeing Jessica play you can expect country with a rock edge, all performed with high energy and big smiles! Jessica took a moment to reset her Fitbit to count calories, apparently the challenge was to beat the calories burned in Switzerland fuelled by the energy from the stage and the crowd There is no doubt that the whole band are having a great time – and that transfers to the audience too. The standout exception to this was Jessica taking to the stage alone, while the band joined the audience, for a haunting rendition of Stevie Nicks’ Landslide.  For the whole song there was appreciative silence from the crowd. 

It wouldn’t be a Jessica Lynn show without her hit single Roadhouse, with its signature dance – and Steve from Gasoline and Matches showing us all up with his own dance floor moves - and a very different rendition of Johnny B Goode.  This used to heavily feature “Uncle Bob” who has stepped back from touring, but the new version would have done him proud and allowed the whole band to share the spotlight, with Jessica transferring to the drums without a beat being dropped, pushing Matthew to take centre stage on maracas and Victoria showing us her own stunning vocals.

 


“One More” demanded the crowd, and one more we had – with Jessica joined on stage for an unrehearsed “Man, I feel Like a Woman” by Sally and Gabriella.  The sheer energy and fun in that song reflected the whole night, both on stage and off as we were shown that the size of a venue doesn’t affect the size of the show!

 

Come back soon Jessica!



Silverball Country attended The Hare and Hounds as guests of Jessica Lynn

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Tuesday, April 18, 2023

Single Review - What Have You Got To Lose - Katy Hurt


Katy Hurt is quietly taking over the world.  With her singles still being played on Canadian and Australian radio stations (Sirius XM and KIX) and her album being available to listen to on Lufthansa flights, 2022 and 2023 have been both exciting and rewarding for her and her career.

 


With her new single What Have You Got To Lose, Katy has taken a more soulful route to tell the story of being able to take risks and push yourself, while having the feeling of safety of a strong and supportive relationship.

 

Is there an echo of risk taking in her writing and releasing a Country Soul song when her previous singles have been more upbeat?  Absolutely not!  With an instrumental that has a similar tempo to Girl Crush, Katy’s voice just soars while displaying an absolute purity, nailing every note.  As ever with Katy’s music, just by listening you can absolutely picture her singing, picture the setting for the song.  With the storyteller being the supportive back up to the risk taker, you feel like you can achieve anything as long as you have someone behind you.

 


It is looking more and more like Katy herself can do anything, and with her debut album coming soon, we believe that too!


What Have You Got To Lose, the new single from Katy Hurt is available to stream and download from Friday 21 April.


You can find and follow Katy on FacebookInstagram and on Spotify


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Wednesday, January 25, 2023

Single Review - River - Emilia Quinn

 


If you are as old as me, you’ll remember Guy Fawkes night with a box of Standard fireworks, lighting the blue touch paper and standing back.  Sometimes that fuse seemed to burn very slowly…not yet…not yet…not yet…and then the powder ignites and WHOOSH, it’s the best one of the night.

Sometimes a musical career can seem that way.  Emilia Quinn has lit the blue touch paper, and we can see the flame edging ever closer, ever closer.  If you’ve seen Emilia live then you know that WOOSH is coming, and it may well be coming soon.  Being part of the ZimaginedD and W21Records stables means that the flame is well and truly lit.

Running stages for festivals means that we get to see the upcoming artists live and almost raw – and we’ve had that privilege twice with Emilia on the paddock stage at Buckle and Boots.  We’ve seen her go from nervous to outstanding, as she blew the roof off the tent last year!  Emilia has incredible energy in her live shows and in her recordings, with a real outlaw edge to her music, but that’s not all that she’s got!


Having studied music to masters degree level, it is clear that even away from the “academic” side Emilia really understands what makes a great song and a great show, and with her new single River she clearly demonstrates this. 

Opening with just her pure voice singing a Southern Spiritual introduction the backing instrumentation sits perfectly under the vocal, supporting and highlighting the quality of the performance and the emotion in the lyrics.  Backed by just electric guitar/bass/drums and the perfect backing vocals of John W Doyle, River is perhaps more bluesy than we are used to, but it is so silky smooth with a slight whiskey hewn edge that it will reach deep inside and grab you.

Of the song itself Emilia says

I want to remind you not to lose your authentic self in other people’s expectations, let go of life’s pressures and embrace who you are.

 In the song, she says

Cry my sweet heart out

Over things I can’t control

Build me a kingdom

So I can live forever inside my soul

 

With her obvious song writing ability and memorable performance style, it is surely almost the moment that Emilia Quinn’s music career goes WHOOSH!


River, the new single from Emilia Quinn is released this Friday on W21 Records

Find and follow Emilia on Facebook, Instagram and Spotify


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Tuesday, May 31, 2022

Gig Review - Country In The Afternoon May 2022 - Half Moon Putney

 

As you walk along the side of the Thames (dependant on mode and route of travel) to the icon venue of the Half Moon in Putney, you know you are in for a great afternoon of music. This year was no exception.


Alan Finlan opened proceedings on Saturday, the big man from a small town continues to play as many gigs and festivals as he can. Playing more originals than covers these days he has built a strong collection blending pop and rock into country to give his upbeat sound. Working from his debut single Whiskey Eyes to bring beautiful storytelling and powerful beats to good old country themes, incorporating his own experiences. Outside of his set you’ll always catch Alan around the bar ready to talk music and supporting his fellow artists.

Emilia Quinn brought both new and old songs to her set, by old, she explained, she means those that you can buy and play at home; one of the better plugs for her merch I’ve heard to date.  With the not to be mentioned gap in live music, Emilia admitted a little worry about hitting the high notes, but there was no need as she belted out song after song with her powerful and gritty voice and had the crowd hooked - and a few bobbing along (it felt later than two in the afternoon) Her set included the love song she wrote for her “wife” Tammy, despite her claims that her love songs always turn out cheesy and its all been said before, (and Tammy’s playful joust this was no different), it wowed the crowd – if that’s Emilia not at her best it is a damn sight better than most, we’ll take it.  

Robbie Cavanagh arrived at the venue as Emilia left the stage; having elevated Gavin’s blood pressure, he incorporated the situation into banter with the crowd. This was a very relaxed Robbie on stage, at ease with the audience, joking that those who continued to pour in to the venue had managed to make him look punctual. This was the best performance I’ve seen from Robbie, at ease which matches his music which I find almost homely (honest and emotional), taking comfort in the ability to predict the rhymes and lyrics.  Not what you might have expected from the long-haired young man in a Stetson and jeans stood in front of you.

If you haven’t been treated enough, Gavin’s energy as he introduced the final act, Balsamo Collins Riley told you something amazing was about to happen.  Each famous in their own right, the skills of Pete Riley, Andy Collins and Steve Balsamo (founding members of The Storys) together on stage for the first time after the guys met up on Monday afternoons via Zoom to keep each over sane and write songs.   Following no set list, the craftsmanship was evident, easily stepping in to support one another’s songs.  It felt like a writer’s round as each had many tales to recall, they are colourful characters, and their friendship and sense of fun was easily reflected from the stage. What an incredible trio, what a treat and what a way to end the afternoon.

 

Large numbers turned up earl again on the Sunday for day 2. Those that attended both days earned a verbal gold star from Gavin, the others “would know better for next time.” 


Tupelo Lime (Gram Phillips with a friend) opened the day.  With an Americana setlist they took the audience on a journey across the States with their songs. Straight in with Girl from New Orleans, they said it was always good to get one out of the bag before we found out more about them. Gram tries to write songs that have a social meaning whilst still being entertaining (and the odd love song, if his partner asks!) With songs of affliction, addiction, loss, hardship and death, it was a happy affair but a gentle introduction to the day.

Did I say gentle?  Well, it was time to be awakened, next up was Eddy Smith & The 507. Offering something a little different (it isn’t quite country or americana - a bit bluesy) this was a punchy performance with a big opener Lost on You and an even bigger finish.  One or two slow songs crept into the set including the new Ballad of Bobby Grey and Eddy thanked those that had downloaded the single, the 10,00 streams that had allowed him to purchase his Lucozade.  Humbled to be there, the five-piece multi-instrumental (every band should have a harmonica) band and Eddy’s husky voice and trademark piano (keyboard) demonstrated why they are gaining recognition fast.

When you thought it couldn’t get any better, Meg McPartlin took to the stage.  Nervous, very humbled to be there, supported by friends and family, even a little out of breath between songs, if you hadn’t heard Meg before, you were about to be blown away! She has one powerful voice, triumphing with a cover of Garth Brooks – Thunder Rolls but also incredible writing skills.  The latest single Falling was written for the boyfriend Scott after just 3 facetimes- yes, she admits she falls fast! Mesmerised by her performance, one lady said the hairs stood up for every song. My favourite has to be Nashville Blues – proud to be a British country singer she doesn’t need Nashville, this went down very well with the crowd – and sums up the majority of the event.  (But then I don’t need to tell you how good British Country Music is, do I?)

But, if you wanted an American act, you got it, and couldn’t ask for more with American Young making the event the release party for their new album AY II.  Kristy and Jon were backed on stage with the British talents of Luke Thomas (guitar), Chris Brice (drums), and Phil (keys and bass) who quite rightly they wanted to keep.




If you haven’t seen the duo before, their high energy sets represent sound without boundaries, music unlike anyone else. Both confident and talented vocalists they were at ease on the stage, with the band and the audience. In-jokes were common, but they involved the audience in telling of the pranks played on Jon before the show. Kristy shone in her glittering full-length dress with side tassels (nothing mumsy there despite the recent addition to the family) and Jon looked cool in a dark shirt and glass, the energy never diminished as they bounced around the stage and the state of the strings on Kristy’s bow highlighted the intensity of the fiddle.

But all great things need to come to an end.

It is great to see Gavin back on the stage, although his own microphone would make a nice future gift, so he didn’t always have to bend down, and stood by the door to the green room whilst Christine mans the merch table. The Chittick’s love of music is evident, but they open up their home and support many of these artists in numerous ways; they are one of a few people who do so much for British country music, so show your appreciation and do yourself a favour and support the next event, there’s bound to be something for everyone and it’s a bargain price. See you in November…

 


Future details of CITA will be found on Facebook, Instagram and of course at Silverball Country!


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