Happy Tenth Anniversary Buckle and Boots!

Since 2016 there’s been nine actual festivals and one that didn’t involve tents and queuing for showers – yes, that one affected by “the C Word!”!  Many of you will have been counting on your fingers this weekend to check how many you’ve been to – and we did the same whilst looking around to see what’s new!

A boat! - An English sparkling wine (Harlot) boat to be accurate that if you didn’t come to say hi, it serves different types of spritz.  Sorry no Hawkstone, I have asked that the umbrella is changed for next year, but there is plenty of Hawkstone everywhere else – as Jeremy Clarkson would say “The most Hawkstone taps...in the world”

The big deck chair, anniversary buckles (thanks Bro-Kin Strings) and embossed belts (The Lodge) and football jerseys together with other merchandise, including the return of handled cups.

What have we lost?

Dark fruits, frozen cocktails and the suicidal wasps, the old portacabins, the tin roof bar with the dodgy floor …

There is still a love/hate relationship with chairs, confusion over tokens, Alan Finlan popping up to play music anywhere and everywhere, Man BBQ  (after their glow up) and other great food. Grainne and her violin and the rest of the Country Orchestra. Straw sticking to bums and the signs to pose by.

We weren’t at the farm in 2016, but the next year we both came as day visitors – albeit on separate days.  By 2018, having got to know Karl and Laura, we were asked to come to support the bar (because of our previous experience in hospitality) – and it was just one bar then! It’s hard to forget the bar on the tilt, tall people at one end and shorter people at the other, but what some one of you might not have realised (unless you listened in one Monday morning) that it was still a cow shed, and they had to be moved and the area cleaned for the festival.

Since that year we’ve supported every “live” festival - in that time, like most of you we’ve witnessed standout moments on stage (and hidden a few offstage moments too) career defining main stage performances, barn storming ones on Paddock Stage. We’ve camped, slept on sofas, hunted for morning coffee, experienced problems with the showers just like you, alongside listening to the music and making some great friends.  We’ve laughed and cried alongside you.

We have also rolled beer barrels, carried hay bales, found UK phone chargers for American performers, arranged 13 late night burgers for Brett Kissel and his crew, found and applied sun cream, located replacement guitars and replacement violin bows!  Basically, we’ve always got stuck in and done what needs doing to help you have the best experience.

We’ve made the Paddock Stage our home for seven festivals, watching the festival grow alongside the artists, who have gone from solo acoustic sets to headline slots , been on hand to hype them up before their show, find them water and meet their other drinking needs and give a reassuring hug afterwards, helping them find the green room and escorting to meet and greet.

 

We’ve shared “you had to be there” moments – The Songwriters round that was just too good to end (so we kind of didn’t!), the power blowing during Sunday Service (Jeremy McComb), a guitar kicked across the stage (Jeremy again) T Shirts being swapped on stage and of course Kezia Gill writing “I’m Here” overnight, which we helped turn into a movement.

 

Buckle and Boots has thrived because of the genuine community feel, it embraces the country family. It doesn’t matter if you attend alone or bring the whole family (dogs most definitely included), whether it’s your 1^st time or the 10^th, you will make friends and be able to mingle with the artists. The homely feel starts with the Hancocks (and Robinsons) who share their home with us, the big volunteer community that keeps the bars open, the beautiful setting (in Etherow County Park) and the chilled atmosphere.  Not forgetting Big Joe who many will know keeps everything working and the water and toilets flowing., and Gavin & Christine Chittick who take time out from their own events to support the festival.

Thanks to the Hancocks and Gary Quinn, the festival offers the opportunity to see stripped back talent in the writer’s rounds and the Sunday Service but also continues to focus on emerging artists both home-grown and from all over the world - Australia, Canada and the US to name a few - resulting in the opportunity for people to discover new favourites.

These days Buckle and Boots goes on tour, with Switzerland being the latest location to benefit from all that has been learnt. We wish Laura luck and hope that no artists or guitars are lost and this trip avoids any ambulances (Australian trip for those are inquisitive).

 

Buckle and Boots was our first taste of festival trials and tribulations and since then we have been able to support Millport CMF and Pure Country Music and Dance. We have eaten, drunk and shopped alongside you, whether you be an attendee, a trader, an artist, paid staff or volunteer. 

You won’t see our name on the line up, but we’re proud of our contribution to the ten years and to the wider UK Country scene.

Until next time.

 

Gig Review - Jade Helliwell Rebegin Tour - Hare and Hounds Birmingham

 

If you’re heading off to see Jade Helliwell on her rebegin tour this week, make sure you’re there in time for the opener – Matt Rogers.  Matt is a Nashville based singer songwriter with a humble demeanour, a great talent for storytelling and clearly – from some of his songs – a rather cheeky side!

Matt worked hard to awaken the Tuesday night crowd, throwing out options for song choice, not being defined by a set list. He even taught them “Holla and Swalla”

 

Despite the big, deep voice, Matt comes across as humble, giving the backstory to each song. He is bound to hook you in. Warning though, he not a fan of the cosplay cowboy, hailing as he does from a farm in Atlanta.

 

The room grew darker and the band (Arnie, Harry and Luke) took to the stage first, before Jade made her entrance. In room 1 of the Hare and Hounds the artists must make their way from the back of the room, across the dance floor and up a flight of steps.  Later than advertised, it was a confident entrance and Jade looked great (especially having a 5-month baby) in a black bodysuit, sparkly trousers and cow-print arm tassels.  No messing, straight into her opening number, full of energy.

Although the tour and album are called “Rebegin”, when Jade took to the stage, it was the Jade we know and love. 

Jade played a mixture of old and new music including the 2022 BCMA Single of the Year – Smoke.  Asking if there were any couples in the audience, she decided “How Love Goes” to them, rather than husband Luke. Incorporating their names in the same and a slight hint at another baby (“a house built for 4”) she displayed not just her writing skills (it’s absolutely one of her best songs) but her sense of humour and ability to interact with the crowd. The performance and vocals probably belong on a West End stage belting out musical theatre.

After ending with “Drink You Outta My Mind”; Jade briefly exited the stage, returning for the encore with “Women I am”, despite Luke’s claims that they “didn’t know any more songs”.

Motherhood hasn’t slowed Jade down at all, a new album, a tour and booked up for an array of country festivals this summer -  but it has influenced her merch, adding a Baby grow to the mix alongside her first vinyl album!

Don’t worry if you not got your tickets for this rest of this tour yet -  Tickets -  you can catch up with both Matt (with full band) and Jade at Buckle and Boots Festival in May.

 

Find Jade on Facebook, Instagram and her website and follow her on Spotify

 Silverball Country attended the show as guests of Jade Helliwell and UK Country Live

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Album Review - Rebegin - Jade Helliwell

 

What can we say about Jade that we haven’t said before?  We’ve known Jade both professionally and personally for years now, spent time with her on festival stages, green rooms, award shows and in quieter moments post show and during those festivals.  Although her arrival on the scene was pretty spectacular (how many views now on THAT video?) and despite winning many awards, Jade is still – well, Jade!

We’ve all seen her sing her own creations, duet with other UK artists and absolutely rock the stage with the Honky Tonk Roadshow and those big finale shows at Buckle and Boots, we’ve seen her play intimate shows with all the same energy and professionalism too.

Performer, songwriter and now mother, Jade has never sat still.  Never really “re-inventing” herself, Jade keeps pushing, pushing at the industry, pushing at the genre and pushing at herself.  Girls Night In, The Company You Keep, Do You Know Any Oasis, One Night Stand – it feels like there’s just no limits!

Its not scattergun though, Jade is taking stock of her life and career, which leads us to her new album.  Rebegin is as much a statement as a body of work.  We’ve heard some of the tracks as singles, we’ve heard some live, but put together it shows us where Jade is, and where she’s going.  Blending emotional songs (Rebegin, Monster) with pure power (Drink You Outta My Mind) the focus is on her vocal, although with husband Luke Thomas in her corner, the instrumentation is obviously superb.  The vocal – even the slower tracks have power to them, Jade sings them like she means every word, because she does!  The words themselves are powerful, with the album featuring additional writing by producer Alyssa Bonagura, Laura Oakes, Phil Donnelly, and Jessica Thristan.  The writing reflects Country – it’s honest storytelling, and it comes from the heart.

So, great vocals, great instrumentation, great songwriting.  An album that means something and is very listenable.  What else could we ask for?  Well, a tour obviously!  Live performances are the backbone of music, especially Country.  You can sit at home listening to this album (and you really should!) but to hear it live, to hear Jade talk about the songs (we can’t imagine Jade on stage not talking!) has to be the best way to experience it. 

Playing across the UK from April 20 you can catch Jade in London, Birmingham, Manchester, Newcastle, Glasgow, and Leeds before she takes a breath ahead of festival season, starting at Buckle and Boots.

I changed my name, changed my address and I let some people go.  I got a baby on the way, something I didn’t think Id say for a while, but I wouldn’t change a thing, I’m ready to rebegin.

It’s a new chapter for Jade in so many ways, and we’re thrilled to see it – and excited for what comes next!

Rebegin, The new album from Jade Helliwell is available to presave now and download from Friday 20 March.  Tickets for the Rebegin tour can be found on her website.

Find Jade on Facebook and Instagram, and follow her on Spotify

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Gig Review - Nashville Sounds In The Round - Birmingham Symphony Hall May 2024

 

You guys have Ed Sheeran, why would you want to listen to me?

 

Despite flying in from America, playing guitar for Keith Urban, and being booked for a couple of festivals, Maggie Baugh retained that humble feeling that people in the UK wouldn’t know her music, having had a specific request in the interval.  John Wesley Satterfield quickly reminded her that “The internet is everywhere”

This kind of interaction is why we love songwriters rounds, and especially the regular Nashville Sounds InThe Round in Birmingham.  The latest show was a curtain raiser for Buckle and Boots this weekend, as it featured three American artists who will be playing at the Farm, alongside regular hosts Gasoline and Matches.

Joining Maggie on her first visit to the UK were Jeremy McComb, who is becoming a regular face over here, and John Wesley Satterfield, another UK debutante.  Maggie and John had also played Country InThe Afternoon at the weekend, while Jeremy – who will be co hosting the main stage at Buckle and Boots – has been on tour with Cody Pennington, opening with Gary Quinn.

A songwriters round is, by its very nature, an intimate style of show.  The artists tell us stories – about their songwriting inspiration, about their careers and often about their own lives.  As the show progresses the audience get to know the performers better, and as the artists get to know the audience better they start to loosen up more.  As this trio haven’t met each other very much before, you could see them get to know each other, and with Jeremy and John this led to more and more interaction and jokes, with them seeming like long lost twins by the end!  We were treated to more sensitive songs and stories than you might get on a full stage show, and also some hilarious conversations from the American contingent trying to navigate not only our currency “Your coins have an old lady on them” but also what we call our toilets.

All three guests were very entertaining as well as very talented  - and those seeing them again at the weekend are in for a real treat.

 

As for our hosts Sally and Steve, they also shared a very special story with us all.  They’ve got married!

 

Congratulations to Sally and Steve, and to the Americans – see you at Buckle and Boots!

Silverball Country attended Nashville Sounds in the Round as guests of Gasoline and Matches and B:Music

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Gig Review - Country In The Afternoon May 2024 - Half Moon Putney

 

The Half Moon pub in Putney, South West London is no stranger to great line ups, over the years it has played host to some of the absolute greats, and twice a year for the past few years has been home to Country In The Afternoon, brought to us by those fine folks at Cumbrae Promotions – Gavin and Christine Chittick.  Even if you haven’t heard of Country In The Afternoon, if you’re a country music lover you may have attended on of their other events - notably Millport Country Festival, or perhaps you’ve caught one of their ad hoc intimate evenings both in London and in Scotland.  If you’re a Buckle and Boots attendee, you’ll have seen Gavin running the Paddock Stage along with Silverball Country and Christine looking after the all-important beer tokens!

You have to wonder if these two ever stop.  We think the answer is no.  There's two more new events in the calendar this year alone, plus the next Country In The Afternoon.  They do take time for holidays – but those are as much for talent spotting as for relaxing!

Country In The Afternoon is two days of music in an iconic venue running from 12:30 until 5 – which gives time for drinks between the 4 acts (as they turnaround the stage) on each day plus a chance for a meal in the pub garden afterwards, especially when the weather is as good as it was this past weekend.

We joined the Chitticks on Sunday, which had an international line up – two American acts, two British acts – and an Austrian!

 

First up, from Nashville was John Wesley Satterfield.  John has a very traditional country sound to his voice, and a traditional style to his songwriting, with songs about his guitar, whiskey – great subjects!  Whilst he would never sell his battered old guitar, he did offer his beagle dog for sale!  Accompanied on stage for a couple of songs by Jon Stone (American Young) the storytelling was as good as the songwriting, with some numbers inappropriately dedicated to Grandma!  John didn’t use a set list preferring to go with the flow – and the same was true for the second act – Georgia born Ian Flanigan. Having appeared on The Voice - USA as part of Blake’s team, Ian is now known simply as “The Voice” and what a voice he has!  Despite being from the US, his stories resonated and were easy to follow.  We were treated to another guest appearance from Jon Stone who has written and produced the new material that Ian treated us to.  Notable was “The song with the longest title” – the very relatable Words I Never Heard An Old Man Say.

 

Both John and Ian were visiting the UK for the first time, whereas the next band to take to the stage were far more familiar having played the event before and also just finished a UK Tour.  Lewis and Izzy (from Austria!) better known as Two Ways Home.  As well as their trademark light teasing of each, other Two Ways Home delivered a loud and rocking set backed by Michael Clancy on guitar and Jake Stanton on drums.  Even Gavin Chittick was moved to declare that it was possibly the best they have ever sounded – and we have to agree!  The band are very hardworking and seem to constantly look at ways of improving their show – this time including some more intimate songs around their bespoke, old style microphone – in fact there are only three of these microphones around, and notably, Bob Harris has one of the only other two!

 

The afternoon was rounded off with a storming set from First Time Flyers, who are making waves across a number of stages and festivals.  First Time Flyers gave us our second full band set of the day, and brought with them an enthusiastic and dedicated following showing that whatever the size of the event, independent gigs can build and hold an audience!

 

Time to rest?  Nope.  Next up from Cumbrae Promotions is the Signature Brew Americana Showcase, London E17 on 22 June and Milltown Music Festival in Paisley nr Glasgow on 31 August

Silverball Country attended Country In The Afternoon as guests of Cumbrae Promotions

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Single Review - Daddy's Girl (Live) - Emilia Quinn

A few short years ago, the Paddock stage at Buckle and Boots played host to a girl and her guitar – she was just about to release an ep, and we even recorded a promo clip with her.  The next time she was at Buckle and Boots she was back on that stage, playing an absolute storming set with her full band.  From there she went to the main stage, and this year she will be headlining the main stage!

We are talking, of course, of Emilia Quinn, whose journey from mid-afternoon slot to headliner we have felt part of, and seeing her on her headline tour was of course very exciting!

Emilia not only understands how to entertain a crowd, she also understands value – that headline tour having now produced a second live single, both recorded at her Birmingham date (we were at that one! Review )

Her new single – Daddy’s Girl – originally appeared on her Wanderlust and Breaking Rules Album and in fact supplies the name in its first words!  Recorded through the sound desk at the venue it is a “clean” recording (no crowd noise etc until the end of the track) but it captures Emilia’s performance vocal and energy that comes from being on stage in front of a live audience.  The song will be familiar to many – opening with a strong guitar line (with a wonderful mix of electric and Emilia’s acoustic) the instrumental has a very “western” feel to it, and the vocal is very much that of a story teller.

Emilia describes it in a way that is almost a description of herself…

A feisty, sassy, and take-no-prisoners kind of song, layered in metaphors which is one of my favourite ways to write. It is a story of standing up to the patriarchy that seems never too far away in life and particularly in the music industry. Read between the lines for a whole new perspective to this song...

These live recordings (along with the previously released Head Rush) are a great way to hear Emilia, although the best way to to see her live!  With a list of festival appearance this summer, you have plenty of opportunity!  Check Emilia’s socials and website for more details of where you can see her play.

Emilia is also on her own "Barefaced" tour again later this year

Emilia has come a long way since that first Buckle and Boots Paddock stage appearance – we can’t wait to see where this feisty, sassy take-no-prisoners artist goes next!

Daddy's Girl (Live) - the new single from Emilia Quinn - is available to download and stream from Friday 3 March

Find Emilia on Facebook, Instagram and her website and follow her on Spotify

 

Emilia Quinn is represented by ZimagineD Artist Management

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Gig Review - Nashville Style Songwriters Round with Gary Quinn and Friends - Actress and Bishop Birmingham

 

Gary Quinn could easily be described as a curator of UK Country Music and of Country Music in the UK.  You want to attend any show Gary is involved in just to see which of his many friends from across the genre he he’s brought along, and see the artists that he draws the best out of, by co-writing with them or featuring them in his shows.

Currently touring the UK with his Nashville style songwriters round, we saw Gary and friends at Birmingham’s Actress and Bishop on Friday night.  Opening for this leg of the tour was local performer Mikki Evans.  Dressed to impress, she seemed to enjoy being on stage trying to engage with the audience and encourage them to sing a long with a mix of covers and her own original music – co-written for the most part with Host Gary. Mikki was certainly making the most of this opportunity to perhaps win some new fans!

The songwriters round was made up of Gary, Dan Smalley and Jeremy McComb.  Jeremy is becoming a familiar face whilst Dan is new to the UK.

Growing up mostly in Louisiana “catching alligators” but having lived all over the US, Dan Smalley has a voice you simply get lost in.  It doesn’t matter what the words are, you are just engrossed, captured – and you are not prepared to stop listening at the end of each song!  His guitar skills are also superb, as was his foot stomping and little (and some big) kicks!

Sat beside him, Jeremy McComb is a singer, songwriter and comedian.  An absolute natural to the stage Jeremy has no filter, and his stories are absolutely wonderful – you’ll laugh until you cry.  All his songs seem to come from real life, and what a life it has been.  He’s unashamedly redneck and obviously has a huge fondness for where he grew up in Idaho.  Although he’s never been asked to write a song about his hometown, he probably wouldn’t get a job with the tourism board either!

Our host Gary Quinn is your man if you want heart felt storytelling to draw you in – and if the soft Irish brogue is your thing!  Gary is well practised at leading songwriters rounds and despite his own success and awards he always makes sure his guests are very much supported and centre stage.

Despite the intimacy of the venue these three characters with their powerful voices and great stories gave it a much bigger feel, and easily outdid the venue’s issues.  Its not a PG show, but it’s very entertaining!

You can catch Gary, Dan and Jeremy in Oswestry tonight and Manchester on Sunday for a St Patrick’s Day celebration, and you can catch all four artists at Buckle and Boots this year.

 

Tickets for this weekend can be found at garyjpquinn.co.uk

Silverball Country attended this show as guests of Gary Quinn

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Gig Review - Girls Night In The Round - Birmingham Symphony Hall

I’m not sure that I’ve ever been to a show that opens with all four performers strutting/dancing on to the stage to the sound of Shania Twain singing “Lets Go Girls”, opening and pouring  the wine and then taking their seats – but then again, I’ve never been to Girls Night In…The Round before!

If you are yet to see this show, let me set the scene a little.  Its four of the very best female singers from the UK Country Music scene in a songwriters round…but fuelled by Jamshed wine (legitimately - they are sponsors!).  Once in their seats the four introduce the show by singing their own theme song, taking a line each and ending with a beautiful harmony.

The four are (in the order they were sitting) Kezia Gill, Jess Thristan, Demi Marriner and Jade Helliwell who are all friends away from the stage – in fact the tour was apparently conceived in a hot tub session.

As is fitting for such a night, there was a lot of sparkles on stage, with a special mention made for Jess Thristan’s jacket, although the comments were also slightly envious from the others!

 

In many ways, this show is not about music.  Well, it is, but it’s not just about the music!  The interactions, the jokes, the stories (a fight at the Glasgow date last tour) and the very obvious closenesss of the friendship all make this quite a unique tour.  It also adds to the flow of the performances – when Jess started a song and was advised politely, and then lovingly but less politely, by the others that she need to tune her guitar, there was no awkward silence as often happens.

The rounds are grouped by themes/titles (which is a great idea!) – including introductions, co-writes (Jade has co-written with all three!), Cry in your Wine and notably the Unreleased Round where each artist sings a song that is so far unheard, and these songs will change from venue to venue – accompanied by a plea to not put any videos on social media, making it an intimate treat for each audience.

In all there were 6 rounds with a short interval with the first half rounded off by an absolute showstopper How Long Have You Known and the recent single Jolene which we reviewed here.

It would be almost impossible to properly describe all the humour, situational jokes (Jade and her eyelashes), music choices and stories – and I wouldn’t want to spoil the fun if you are seeing the tour this week.

Suffice to say the show gives an insight into what it might be like to be on a night out – or a night in – with Kezia, Jess, Demi and Jade, and you can make your own mind up about who might be the ringleader of any shenanigans.  It also showcases the writing and performance skills of all four.

 

Girls Night In The Round is on tour all this week until Saturday 17 February taking in Liverpool, Glasgow, Gateshead and Leeds.

Tickets are available via Ticketmaster or direct from the venues

 

Although it was a girls night, we can’t forget to mention the input from Lloyd and Luke, husband and husband to be respectively of Kezia and Jade.

 

Silverball Country attended Girls Night In The Round in Birmingham’s Symphony Hall as guests of Zimagined Artist Management and UK Country Live

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